AZO Cast Members & Creatives
Stage director Tara Faircloth’s work has been seen in opera houses around the nation. Critics hailed her recent The Marriage of Figaro, calling it "an unstoppable momentum of manipulation and misunderstandings. This production was so fresh that it had the ability to bridge yet another gap, entertaining the amateur and the opera aficionado alike” (Opera News). She has a thriving career in regional houses such as Wolf Trap Opera, Utah Opera, Arizona Opera, Tulsa Opera and Atlanta Opera (The Barber of Seville, Rigoletto, Eugene Onegin, Hänsel & Gretel,etc.).
This season finds Ms. Faircloth working on several new productions (Il Re Pastore with Merola Opera, Agrippina with Ars Lyrica Houston, The Little Prince with Utah Opera, The Coronation of Poppea with Boston Baroque, Ariadne auf Naxos with Wolf Trap Opera), and returning to some familiar favorites: The Marriage of Figaro and Rigoletto (for Arizona Opera and Austin Opera, respectively). Following last year’s season, which included new productions of Gianni Schicchi, Pagliacci, and Loving Clara, a mixed media collaboration exploring the life and loves of Clara Schumann with Mercury Orchestra, Ms. Faircloth is clearly in demand as an interpreter for familiar works and those that are more obscure.
Ms. Faircloth has worked extensively on directing staff of such companies as Lyric Opera of Chicago, Houston Grand Opera, Central City Opera, and Dallas Opera, and as such, has worked on some of the most complicated operas in the repertoire, assisting international directors and preparing cover casts of some of the best performers in our industry. Passionate about dramatic training for young singers, she is the Drama Instructor for the Houston Grand Opera Studio, and has served as a guest coach at HGO's Young Artists’ Vocal Academy, Wolf Trap Opera Studio, Des Moines Metro Opera, University of Michigan, and Rice University. Her home is in Houston, Texas, where she enjoys restoring her 1935 Craftsman Bungalow.