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AZO Cast Members & Creatives

Scott Terrell

Conductor Scott Terrell was appointed Music Director of the Lexington Philharmonic in 2009. During his tenure, Mr. Terrell has re-invigorated and raised the artistic level of the ensemble, expanded collaborations, increased subscriptions and challenged its musicians and audiences with a greater diversity of repertoire and programs. Several major gifts were acquired because of Terrell’s artistic vision and direction resulting in the establishment of an Emerging Artist Chair and a Composer-in-Residence chair.

Maestro Terrell has simultaneously maintained a healthy schedule of recent guest conducting with the Colorado Symphony, Aspen Music Festival and School, and Philadelphia Orchestra. Future engagements include the Colorado Symphony Orchestra, and a debut leading Mozart’s The Magic Flute at the Arizona Opera.

Since 2009, many of the world’s foremost artists have performed with the Lexington Philharmonic. They have included Dame Evelyn Glennie, violinists Midori and Nadja Solerno-Sonneberg, pianists Inon Barnatan and Joyce Yang, and cellist Johannes Moser. Past projects have included a highly successful concert production of Piazzolla’s tango opera, Maria de Buenos Aires as well a live screening of Charlie Chaplin’s film, Gold Rush. Ensembles known for unique concert presentations, such as Time for Three and Eighth Blackbird, and have been regular guests. Future projects include Philip Glass’ Icarus for film and orchestra, Tan Dun’s Crouching Tiger Concerto, and a semi-staging of Osvaldo Golijov’s Aindanamar.

Terrell has led with many prestigious international organizations including Opera Colorado, Minnesota Opera, Minnesota Orchestra, Rotterdam Philharmonic, Philadelphia Orchestra, Rochester Philharmonic, Hong Kong Sinfonietta, Milwaukee Symphony, Aspen Music Festival, Spoleto Festival, Colorado Symphony, Naples Philharmonic, Eugene Symphony, Richmond Symphony, South Dakota Symphony, Kalamazoo Symphony, Wheeling Symphony, Greater Boston Youth Symphony, Amarillo Symphony, and El Paso Opera.

Maestro Terrell made his highly successful European debut with the Rotterdam Philharmonic Orchestra, leading a two-week Bernstein festival including orchestral performances as well as vocal recitals where he served as both pianist and host. Leading an extremely talented international cast, Terrell conducted selections from On the Town and West Side Story, as well as concert performances of Candide. Further demonstrating his mastery of operatic repertoire, Terrell debuted with Opera Colorado in 2002, leading an acclaimed production of Humperdinck’s Hansel and Gretel. In 2006, he received international rave reviews when he returned to Opera Colorado to lead Mozart’s Abduction from the Seraglio. He has led numerous programs at the Spoleto and Piccolo Spoleto Festivals including: Stravinsky’s Rite of Spring with the Charleston Ballet, Mahler’s Das Lied von der Erde, Humperdinck’s Hansel and Gretel and Menotti’s Amahl and the Night Visitors. Additionally, he led the Minnesota Opera’s production of The Marriage of Figaro.

Previously, Terrell served as Resident Conductor of the Charleston Symphony Orchestra where he was artistic director and conductor of the Backstage Pass Series, Pops Series, and Out of the Box concerts. While Assistant Conductor of Minnesota Orchestra from 1998-2003, Terrell conducted hundreds of the Minnesota Orchestra’s performances including Casual Classics, Pops, Family Concerts, Young People’s Concerts, Composer’s Institute, and Sommerfest Concerts. Mr. Terrell made his subscription performance debut when filling in last minute for ailing conductor, Hans Vonk. He also conducted the orchestra’s semi-staged opera productions of Bernstein’s Candide, and Menotti’s Amahl and the Night Visitors.

In the summer of 2000, Terrell was chosen as a fellowship conductor for the inaugural season of the American Academy of Conducting at the Aspen Music Festival under Music Director, David Zinman. At the conclusion of that summer, he was awarded the Aspen Conducting Prize, an award recognizing exemplary musicianship and promise.

Performances