Hercules vs Vampires
Composer Patrick Morganelli holds degrees in music from both California State University Northridge and the USC Thornton School of Music where he studied Piano with Daniel Pollack and Composition with Frederick Lesemann and Tamar Diesendruck, graduating with distinction. He also holds a postgraduate certificate in Scoring for Motion Pictures and Television from USC, where he was the first recipient of the prestigious Joe Harnell Memorial Scholarship.
Morganelli composed the music and adapted the text for Hercules vs Vampires which combines opera and midcentury pop culture, synchronizing live music with the cult fantasy film Hercules in the Haunted World, a 1961 sword-and-sandal epic directed by Mario Bava and starring Reg Park (a three-time Mr. Universe) and Christopher Lee. The work had its premiere in Portland at Opera Theater Oregon in 2010. The LA Opera production, which runs April 23, 25 and 26 at the Dorothy Chandler Pavilion, will include a cast of 10 singers from the Domingo-Colburn-Stein Young Artist Program, a 26-piece orchestra and be conducted by Christopher Allen. Hercules vs Vampires is being presented in association with American Cinematheque and the Italian Cultural Institute of Los Angeles.
Critics have lauded Morganelli’s work in film and television as being uniquely evocative and haunting in a way that persists long after the music has ended. He has worked with filmmakers such as Academy Award nominee Randall Wallace and composers Christopher Young and Michael Giacchino. In 2014 he was invited by the Yosemite Conservancy to become an Artist-In-Residence there in 2015, and he recently was selected to be featured on the California State University San Bernardino Distinguished Artist Series. In addition to his work in film, television and opera, he also is active in the world of concert music. Recent commissions include a Violin Concerto and a large work for solo piano. His song cycle Songs of Late Summer for mezzo-soprano and orchestra premiered in the fall of 2015. He lives and works in Los Angeles.
Shawn Galvin is the Curator of New Music Raleigh (NMR), “the Southeast's most plugged-in musical collective devoted to the work of living composers” (Indy Week). NMR presents cutting-edge new works and collaborations that challenge the traditional perception of classical music, engage and inspire diverse audiences, and give voice to today's most innovative and relevant modern music. Recent NMR projects have featured music written by composers Missy Mazzoli, Sarah Kirkland Snider, D.J. Sparr, John Supko, and Linda Catlin Smith. NMR’s newest recording of Brett William Dietz’s Headcase: An Opera Introspective recently released on Centaur Records.
Shawn serves as a regular extra percussionist with the Pittsburgh Symphony Orchestra where he has toured internationally and performed under leading conductors including Lorin Maazel, Mariss Jansons, Manfred Honeck, Chales Dutoit, Leonard Slatkin, David Zinman, Rafeal Fruahbeck de Burgos, and Gianandrea Noseda. Prior to his current positions, Shawn served as Principal Timpanist of the United States Navy Band, Washington, DC, and as a member of Tempus Fugit Percussion Ensemble. He has also performed with the North Carolina Symphony, the Chautauqua Symphony Orchestra, the Colorado Music Festival Orchestra, and the Washington Bach Consort.
Shawn has been invited to perform at five Percussive Arts Society International Conventions. He has appeared as percussion soloist with the Lancaster Symphony Orchestra, the Great Falls Symphony, Hamiruge (LSU Percussion Group) and the United States Navy Band. Shawn can be heard on recordings with New Music Raleigh, the Pittsburgh Symphony Orchestra, Tempus Fugit Percussion Ensemble, and Michael Burritt.
Originally from Pittsburgh, Pennsylvania, Shawn holds a Bachelor of Music degree in percussion performance from Duquesne University and a Master of Science in Arts Administration at Drexel University.
American soprano, Lacy Sauter, is quickly becoming known for her vocal and dramatic versatility. She returns to Arizona Opera for the 2017/18 season as Dianara, Hesperide 1, City Woman and Peasant Woman in Hercules vs Vampires and Welgunde in Das Rheingold.
In the 2016/17 season, she made her company debut with Arizona Opera as the Second Woodsprite in Rusalka and also created the role of Julia Lowell in a workshop performance of Borzoni’s The Copper Queen. She bowed as the Countess in The Marriage of Figaro for her company debut with the Livermore Valley Opera. Lacy Sauter also returned to the Missouri Symphony as a Resident Artist for various concert performances and as Violetta in La Traviata.
The 2015/16 season brought role and company debuts as Micaela in Carmen with Heartland Opera Theatre and Fiordiligi in Così fan tutte with Nashville Opera. She spent the summer as a Resident Artist performing with the Missouri Symphony as Rosalinde in Die Fledermaus and as a soloist in both the POPS and Classical Concert Series.
In the fall of 2014 she completed her graduate studies at the prestigious Jacobs School of Music at Indiana University under the tutelage of world-renowned soprano, Carol Vaness. While at IU, she sang Mimi in La Bohème, Violetta in La Traviata, Rosalinde in Die Fledermaus and Juliette in Roméo et Juliette. Lacy Sauter started 2015 with a 1st Place win in Phoenix Opera’s Southwest Vocal Competition competing in the final round with orchestra at the Orpheum Theater. In February 2015, she covered Nadine Sierra as Gilda and sang Countess Ceprano in Rigoletto with The Atlanta Opera. She returned to Union Avenue Opera as Gilda in Rigoletto after having made her company debut as Blanche DuBois in A Streetcar Named Desire the previous summer.
Ms. Sauter finished her tenure as a Young Artist at the Florida Grand Opera in the spring of 2013. During her time at FGO she sang 1st Lady in Die Zauberflöte, Flora in La Traviata, and Bianca in La Rondine. In addition, she covered the roles of Mimi and Musetta in La Bohème, Violetta in La Traviata, Pamina in Die Zauberflöte, Magda in La Rondine, Gilda in Rigoletto and Juliette in Roméo et Juliette. She spent two summers as an Apprentice Singer with The Santa Fe Opera where she performed the role of Albina in La Donna del Lago starring Joyce DiDonato and conducted by Stephen Lord. Ms. Sauter also served as the cover for Wanda in the Grand Duchess of Gerolstein and Violetta in La Traviata. In addition, she was featured as Magda in La Rondine, Rosalinde in Die Fledermaus and the Overseer in Elektra for the Apprentice Scenes Showcase.
As a Young Artist at the 2011 Glimmerglass Festival, she sang the role of Valentina Scarcella in Later the Same Evening and covered the roles of Frasquita in Carmen and the Young Woman in the world premiere of A Blizzard on Marblehead Neck. She was a Festival Artist at Utah Festival Opera in 2009, where she covered the roles of Frasquita in Carmen and Peep-Bo in The Mikado. As a studio artist at Chautauqua Opera, in 2008 and 2010, she played the roles of the Baby Vixen in The Cunning Little Vixen and the Second Graduate in Street Scene.
Lacy Sauter hails from Scottsdale, Arizona and completed her undergraduate degree at Arizona State University. She was a winner of the Arizona and the Middle-East Tennessee Districts of the Metropolitan Opera National Council Auditions in 2008 and 2011 and the 2nd Place Winner of the Orpheus Vocal Competition in 2014. She was also honored to be nominated for a Sara Tucker Study Grant in 2011.
Katrina Galka is a second year Marion Roose Pullin Studio Artist and will appear in Candide as Cunegonde, The Barber of Seville as Rosina, Das Rheingold as Woglinde, Hercules vs Vampires as Medea, Zarathusa, Chained Woman, & Helena, and in Tosca as The Shepherd Boy. Last season Katrina was seen on the Arizona Opera stage singing Clorinda in Cinderella and First Wood Sprite in Rusalka. Katrina has also participated in studio programs with the Glimmerglass Festival singing the role of Atalanta in Xerxes, and Portland Opera where she performed Adina in The Elixir of Love, Johanna in Sweeney Todd, Elvira in L'italiana in Algeri, Papagena in The Magic Flute, and Frasquita in Carmen, as well as spending two seasons with Opera Theatre of Saint Louis where she also sang Papagena. Katrina has also appeared as a principal artist with The Atlanta Opera, The Dallas Opera, and Odyssey Opera.
Ms. Galka spent a year with the Boston University Opera Institute as a soprano-in-residence where she sang the roles of Diana in Jonathan Dove's Siren Song and Rosalba in Daniel Catán's Florencia en el Amazons. Additional stage roles include Marie (The Daughter of the Regiment), Eurydice (Orpheus in the Underworld), Servilia (La clemenza di Tito), Pamina (The Magic Flute), Mrs. Julian (Owen Wingrave), Aurore (Le portrait de Manon), Carolina (Il matrimonio segreto), Elisa (Il Re Pastore), and Serpina (La serva padrona).
In concert, Ms. Galka has performed with the Oregon Symphony, Boston Modern Orchestra Project, the Rhode Island Civic Chorale and Orchestra, the Vancouver Symphony Orchestra, and the Metropolitan Youth Symphony (Portland, OR). Ms. Galka performed and recorded the role of "the Cat" from Gunther Schuller's The Fisherman and His Wife with BMOP under the baton of Gil Rose.
Ms. Galka’s competition experience includes prizes from The Metropolitan Opera National Council Auditions (Eastern, New England, & Northwest regions), Jensen Foundation, Mario Lanza Scholarship Competition (1st place), Marcello Giordani International Vocal Competition, Heida Hermanns International Voice Competition, Dallas Opera Guild Competition, and National Opera Association Vocal Competition.
Praised for her “full, rich sound,” Stephanie Sanchez is quickly creating a name for herself as a rising young mezzo soprano. Though in the early stages of her career, Ms. Sanchez has already gained a variety of experiences through her education and work in many prestigious settings. Her repertoire ranges from Handel to Strauss, Spanish art song to German orchestral lieder, and premiers of contemporary American works.
Stephanie Sanchez is a 1st year Marion Roose Pullin Studio Artist, and will appear in Hercules vs Vampires as Persephone, Candide as Paquette, Barber of Seville as Berta, and Das Rheingold as Flosshilde. Stephanie has also participated in the studio program at Sarasota Opera and in the festival and young artist programs at Opera Theatre of Saint Louis. Mostly recently, Ms Sanchez was a young artist at the Glimmerglass Festival where she sang the role of Yesi in the world premiere Stomping Grounds and covered the role of Amastre in Xerxes.
Ms. Sanchez is currently completing her artist diploma at the prestigious Shepherd School of Music at Rice University under the direction of Julie Simson. Her roles at the Shepherd School include 'Rosina' in The Barber of Seville the mezzo soloist in Mahler’s Lieder eines fahrenden gesellen, and selections from Norma, Ariadne auf Naxos, and Dialogues of the Carmelites.
Some of Stephanie’s other roles and engagements include 'Zita' in Gianni Schicchi at PORTopera, 'Abuela' in En mis palabras at Atlanta Opera, and performances of the title role in Carmen at both Emerald City Opera in Steamboat Springs, CO and Opera Breve in New York City. Stephanie also recently won first place in the 2016 Young Texas Artist Music Competition in Houston, TX and second place in Opera Connecticut’s 2016 Opera Idol Competition.
Ms. Sanchez was born and raised in Las Cruces, New Mexico and earned her masters degree in vocal performance from New Mexico State University in 2012 under the direction of Jerry Ann Alt and Martha Rowe. Immediately following her time at NMSU, Stephanie studied with Yvonne Marmolejo at the El Paso Conservatory of Music.
She currently resides in Houston, TX.
Tenor Anthony Ciaramitaro, a Florida native, is currently pursuing his Master’s degree at Florida State University under David Okerlund, and has recently performed the role of Don Ramiro in Rossini’s La Cenerentola with Florida State Opera.
Mr. Ciaramitaro had the privilege to perform as a Studio Artist with Wolf Trap Opera during their 2015 season as Basilio from Mozart's The Marriage of Figaro, The Messenger from Verdi's Aida, and among the ensemble of Corigliano's The Ghosts of Versailles.
In previous seasons, Mr. Ciaramitaro made his professional debut with Florida Opera Theater as Ferrando in Mozart's Così fan tutte, the 2nd trio member in Leonard Bernstein's Trouble in Tahiti, Piquillo from Jacques Offenbach's La Perichole with the Franco-American Vocal Academy in Perigueux, France, and scenes from Verdi's La forza del destino, La Traviata and Mozart's Don Giovanni in Oberaudorf, Germany with Music Theater Bavaria.
Mr. Ciaramitaro graduated in 2014 with his Bachelor's in music from Rollins College, where he studied under Richard Owens, who has been a great inspiration to the advancement of his career. Mr. Ciaramitaro has been a concert soloist for The Bach Festival Society of Winter Park, The Messiah Choral Society, and The Villages Philharmonic.
Mr. Ciaramitaro has an avid love of the stage and is eager to one day have an illustrious career as a singer of opera, oratorio, and concert repertoire.
D. Justin Carpenter currently teaches voice at Grand Canyon University and Scottsdale Community College. He has been a Bonfils-Stanton Young Artist with Central City Opera where he covered the role of Joe Crowell in Ned Rorem’s Our Town. He has also been a Regional Finalist in The Metropolitan Opera National Council auditions. He is currently pursuing a Doctorate of Musical Arts at Arizona State University where he has received two Bachelors and a Masters degrees. Some of the roles he performed during his time there include the title role in Albert Herring, Don Basilio (The Marriage of Figaro), Gherardo (Gianni Schicchi), Archibald Craven (The Secret Garden), and Tobias (Sweeney Todd).
Paul Nicosia, an American tenor, most recently appeared at Opera Theater of Montclair singing the role of Acis in their production of Acis and Galatea. Following that he performed the role of Danny in Arizona Opera’s premiere of Arizona lady by composer Emmerich Kálmán. Previously at Utah Festival Opera he covered the roles of Rodolfo in Puccini’s La bohème and Enoch Snow in Rodgers and Hammerstein’s Carousel. During the 2014/15 season, Paul finished his second year as a Resident Artist at Sarasota Opera. While there, he sang the Ufficiale in Rossini’s The Barber of Seville, Villager in Leoncavallo’s Pagliacci, and 1st Boyar in Rimsky-Korsakov’s Zolotoy petushok (The Golden Cockerel). Paul has also appeared on the stages of Opera New Jersey as Normanno in Donizetti’s Lucia di Lammermoor, and at Des Moines Metro Opera where he covered Howard Bucher in Jake Heggie’s Dead Man Walking.
Paul received his Bachelor of Arts degree from Rowan University where he performed the roles of Tamino in Mozart’s The Magic Flute, Count Tassilo in Emmerich Kálmán’s Gräfin Mariza and Mayor Upfold in Britten’s Albert Herring. Paul received his Master’s degree from Arizona State University where he performed the roles of Ramiro in Rossini’s Cinderella, Prologue in Britten’s Turn of the Screw and Pirelli in Sondheim’s Sweeney Todd.
American baritone, Jarrett Logan Porter, is second year Marion Roose Pullin Studio Artist at Arizona Opera, and in the 2018/19 season will appear as Guglielmo in Cosí fan tutte, as Father Palmer in Kevin Puts' Pulitzer Prize winning opera Silent Night, as Antonio and the cover to il Conte Almaviva in The Marriage of Figaro, and Baron Douphol in La Traviata. In the 2017/18 season, he was seen as the title role in Hercules vs Vampires, as Sciarrone in Tosca, as Fiorello in The Barber of Seville, and as Maximilian/Captain in Candide. He joins The Santa Fe Opera in 2018 as a member of the company's Apprentice Program, singing Der Perückenmacher in Ariadne auf Naxos, and covering Maximilian/Captain in Candide. In Spring of 2018, he joins pianist Taylor Hutchinson in recital to present the duo's first full length Winterreise at Katzin Hall: Arizona State University. Jarrett has recently appeared as a Young Artist with The Glimmerglass Festival as Sam in Oklahoma!, and in Francesca Zambello's new production of Donizetti's rarely performed opera, The Siege of Calais.
As a passionate interpreter of new music, Porter was seen as Joses in San Francisco Opera's World Premiere of The Gospel of Mary Magdalene by Mark Adamo, and in 2016 as The Narcisisstic Ogre in the American Premiere of Philip Glass' The Witches of Venice at Opera Saratoga, where Opera News lauded him for his "imposing baritone." Later that season, Porter worked as part of the workshop premiere of Mason Bates' The (R)evolution of Steve Jobs for The Santa Fe Opera, and later he went on to make his American Lyric Theatre debut, creating the role of Tom in Theo Popov's and Tony Asaro’s concert premiere of The Halloween Tree at Merkin Hall in New York City. In 2017, he was the recipient of the inaugural Pankonin Art Song Award for his collaboration with composer Matthew Boehler and librettist Tony Asaro to create the new song-cycle: Passed, and has appeared in performance with Jake Heggie at the German Consulate of San Francisco in a program of Heggie’s newest endeavors, including selections from his chamber opera, Out of Darkness.
In January of 2017, Jarrett was a fellow at SongFest at the Hidden Valley Music Festival under the mentorship of Sir Thomas Allen and Graham Johnson. Alongside narration from Mr. Allen and Mr. Johnson, he made his National Public Radio debut with selections from Schubert’s Die schöne Müllerin and Winterreise.
He is the 2017 Winner of the Pacific Music Society Competition, the Ellie Silver Award Winner at the 2017 Holt Competition, and the First Prize Winner of the inaugural Esther C. Weill Competition. Other role engagements have included the title roles in Don Giovanni and Eugene Onegin, Le Chevalier des Grieux in Massenet’s Le Portrait de Manon, Sid in Albert Herring, Harry Easter in Street Scene, and Morales in Carmen. Porter is an Alumni of Houston Grand Opera’s Young Artist Vocal Academy (2014), and holds a BM from the Eastman School of Music (2015), and an MM from the San Francisco Conservatory of Music (2017) where he was a James Schwabacher Fellow. He is a student of César Ulloa.
Born and raised in Illinois, American bass-baritone Zachary Owen has performed with such companies as the Glimmerglass Festival, Arizona Opera, Cincinnati Opera, Kentucky Opera, Des Moines Metro Opera, Central City Opera, Opera North, Opera Theatre of Saint Louis, and Opera Santa Barbara.
He has performed the roles of Dulcamara in Elixir of Love, Alidoro in La Cenerentola, Ashby in La fanciulla del West, Don Fernando in Fidelio, Matouš in Smetana’s The Kiss, Figaro in The Marriage of Figaro, Haly in L’italiana in Algeri, Nick Shadow in The Rake’s Progress, Frank Maurrant in Street Scene, the Commendatore in Don Giovanni, der Sprecher in The Magic Flute, Spencer Coyle in Owen Wingrave, and the title role in Don Pasquale. A strong advocate for new music, he has participated in a composer’s workshop at Cincinnati Opera in which he worked alongside Jake Heggie, Jack O’Brien, and Terrence McNally to develop two characters for Heggie’s new Opera, Great Scott. In the 2017/18 season, Mr. Owen will be returning to the Marion Roose Pullin Studio at Arizona Opera and performing several roles including Don Basilio in The Barber of Seville, Angelotti in Tosca, and Lycos in Hercules vs Vampires.
Mr. Owen is the recipient of numerous awards including the Grace Keagy Award at the Lotte Lenya Competition, the Brudos Family Prize for Opera Performance and was a national semifinalist at the 2015 Metropolitan Opera National Council Competition. He holds a bachelor’s degree from Luther College in Decorah Iowa and a master’s degree from the University of Cincinnati College-Conservatory of Music.
Acclaimed by Opera News as a “standout,” young American bass, Brent Michael Smith, is a rising star whose rich voice and dynamic stage presence have attracted the attention of companies across the United States. This Fall, Brent joins the roster of resident artists at the esteemed Academy of Vocal Arts in Philadelphia, where he will study with Bill Schuman. He will sing Ferrando in Il trovatore, Fafner in Das Rheingold and Truffaldino in Ariadne auf Naxos. He also makes his debut with Arizona Opera singing The God of Evil and Procrustes in their production of Hercules vs Vampires, a new score by Patrick Morganelli synchronized to the 1961 cult classic film Hercules in the Haunted World. This summer, Brent made his mainstage debut with The Glimmerglass Festival as Ariodate in Xerxes. He also starred as The Commentator in Derrick Wang’s Scalia/Ginsburg, which featured a talk back by the notorious RBG herself.
Brent recently finished his time as a Resident Artist at Michigan Opera Theatre (MOT). His roles at MOT this past season included: Zuniga in Carmen, the British Major in the Pulitzer Prize winning opera, Silent Night, by Kevin Puts, Friedrich Bhaer in Little Women, Ashby in La fanciulla del West and Marquis de Brisaille in David DiChiera’s Cyrano. In February, Brent made his debut with Toledo Opera, performing Antonio in The Marriage of Figaro.
During his first season as a Resident Artist with MOT, Brent made his debut as Colline in La bohème. Other notable roles that season were the Second SS Officer in The Passenger, Grandpa Moss in The Tender Land, The Doctor in Macbeth and the Speaker in The Magic Flute. In 2015, Brent sang Harry Hopkins in the world premiere of Daron Hagen’s A Woman in Morocco, as a part of Kentucky Opera’s American Opera Initiative. Brent has also been young artist with Sarasota Opera, Central City Opera and with Des Moines Metro Opera where Colorado Music Buzz praised him for “making the most of his brief appearances” as Billy Jackrabbit in La fanciulla del West.
Brent received his master of music degree from the University of Northern Iowa (UNI), singing under the tutelage of John Hines. He received his bachelor’s degree in music from Hope College (Holland, MI), majoring in piano performance and minoring in Spanish. He studied voice with Linda Dykstra. Brent is a first-place winner of the Grand Rapids Opera Competition (2012).