News / Blog
Recently I attended Opera Philadelphia’s inspiring O17 festival. Executed at a very high level, O17 was a phenomenal demonstration of the renaissance of innovation and audience engagement that opera is experiencing today. Increasingly, US opera companies are taking advantage of a range of opportunities to deliver the art form in compelling and unexpected ways, from using state-of-the-art technology to enhance the storytelling and leveraging multiple performance venues in order to create a variety of audience experiences. Opera Philadelphia’s O17 Festival availed itself of all of these opportunities.
Katrina Galka a second year Marion Roose Pullin Studio Artist, and will appear as Medea, as well as Zarathusa, Chained Woman, and Helena in our new cutting-edge performace Hercules vs Vampires. We asked her a few questions about her upcoming roles and thoughts on the production.
on November 25, 2017 at 11:00 a.m.
Arizona Opera is pleased to announce it was the recipient of several awards at the Zane Grey's West Society Annual Convention in Kanab, Utah. These awards are in connection to our 2017 World Premiere of Riders of the Purple Sage, based on Zane Grey's 1912 novel of the same name.
We are so excited to announce our new Head of Music and Director for the Marion Roose Pullin Arizona Opera Studio, Christopher Cano.
We sat down with Zachary Owen to hear about his time at Arizona Opera and his hopes for the future.
Rossini desperately wanted to be successful, respected, and loved. While every composer shares these ambitions, rarely do all three come to fruition in his or her lifetime. However, Rossini did just that.
Download your lobby photos from Riders of the Purple Sage