AZO Cast Members & Creatives
Puerto Rican soprano Abigail Santos Villalobos continues to thrill audiences with her pure, satiny and lustrous sound delivered with penetrating and emotional performances in both operatic and concert appearances.
Adam Diegel rapidly is establishing international notoriety for an impassioned dramatic sense, powerful voice, and for his classic leading looks in the lyric tenor repertoire.
Mezzo soprano Adriana Zabala enjoys a vibrant career that spans performance and recording of new opera, song, and concert works, as well beloved operatic roles, traditional concert and oratorio works, German Lieder, French Mélodie, and American and Spanish song.
Alberto Álvaro Ríos, born in 1952 in Nogales, Arizona, is the author of ten books and chapbooks of poetry, three collections of short stories, and a memoir.
The brilliant lyric tenor Alek Shrader continues to impress audiences with the “luxury of his phrasing, the clarity of his diction and the sensitivity and expressiveness of his characterizations”.
Aleksey Bogdanov has been praised as "a baritone to watch" by the Washington Post, with “distinctive color and affability.”
Hailed as "a singer to watch" (The Washington Post) with a voice that is “powerful and projecting" (Pittsburgh Post-Gazette), Alexandra Loutsion continues to be recognized for her passionate performances and vocal versatility as a rising star on the operatic stage.
Dramatic Mezzo-soprano Alexis Davis Hazell is a teaching artist and active performer on the international opera stage. Her appearances have earned accolades for the size and quality of her instrument and the dramatic intensity she brings to the development of character.
American Soprano Alicia Gianni, whose performances have been described as “charming, impressive” and “powerfully real,” has enjoyed successes on both operatic and concert stages, including nominations for Houston’s Best Jazz Vocalist by the Houston Press 2011 Music Awards. Such nominations have followed concerts in Las Vegas for T-Mobile, Magic Johnson, and The Late Late Show’s Craig Ferguson.
Allen Perriello is entering his fifth season at Arizona Opera as Head of Music and Director of the Marion Roose Pullin Opera Studio.
Lauded for her vocal agility and dynamic stage presence, Alyssa Martin is quickly garnering attention as a standout young singer.
Hailed for her “luscious”, “powerful” voice and “dazzling technical facility”, Amanda Opuszynski has established herself as a versatile lyric soprano to watch.
American soprano Amber Wagner is a winner of the 2007 Metropolitan Opera National Council Auditions Grand Finals and was featured in the documentary film “The Audition,” which opened to audiences nationwide in 2009.
Amy Mahoney was featured as Mary in worldwide television broadcasts of The Birth of Christ by Andrew T. Miller filmed at Christ Church Cathedral in Dublin, Ireland, and narrated by Liam Neeson. She reprised the role at Christmastime 2013 at St. Stephen’s Cathedral in Vienna, Austria.
Praised by Opera News for his "splendid, lush bass-baritone", André Courville is quickly establishing himself as one of America’s foremost young singers. He debuts this season with the Philadelphia Orchestra as bass soloist in Bach's Cantata 150 under the baton of Yannick Nézet-Séguin, in Europe at Karlsruhe’s Badisches Staatstheater as the title role in The Marriage of Figaro
Andrea Shokery is a dynamic young performer quickly garnering attention for her “magnetic stage presence” and “tangy soprano… [that is] simply delicious” (The Arts Louisville, The Arizona Republic). In the 2015-2016 season, Ms.
Featured by Opera News as one of their 'top 24 brilliant young artists" (October 2015), tenor Andrew Bidlack begins the 2018/19 Season at Lyric Opera of Kansas City in his role debut as Tony (West Side Story) before traveling to Atlanta Opera to reprise the role. At Calgary Opera he recreates the role of Rob Hall (Everest) and at Arizona Opera he appears as Nikolaus Sprink (Silent Night). The role of Greenhorn (Moby Dick) takes the artist to Chicago Opera Theatre.
Featured by Opera News as one of their ‘top 25 brilliant young artists’ (October 2015), tenor Andrew Bidlack begins the 2017-18 Season at Lyric Opera of Kansas City as he recreates the role of Rob Hall Everest.
Winner of the Zarzuela prize at the 2015 Francisco Viñas International Singing Competition, American tenor Andrew Owens has quickly built a reputation as one of the most promising singers of his generation, exhibiting a beautiful Italianate timbre, soaring top notes, and effortless agility.
Andrew Penning, originally from St. Paul, MN, is a tenor in the Arizona Opera Studio.
Andrew Stenson is quickly building a reputation as one of the United States’ most exciting young tenors, with a brilliant tone, artistic intellect, and superb portrayals of a variety of roles. He is the first prize winner in both the 2015 Giulio Gari International Vocal Competition and 2016 Gerda Lissner Foundation Competition.
Celebrated for her Fiordiligi at Spoleto USA as “Blonde and vivacious, with a soaring spinto voice that takes a high C easily, trills beautifully, and handles coloratura like a dream,” (Post and Courier) American soprano Angela Fout’s operatic repertoire ranges from classical to contemporary, and she is an avid concert and festival performer on the national and international stage.
With her Verdi roles praised as “loving and sensitive, fierce and provocative, raw but generous” (Le Soir) and “fully nuanced … alternately sensuously cooing in warm, honeyed tones and soaring regally … spellbinding and dramatically compelling” (Baltimore Sun), Ann McMahon Quintero’s 2015/16 season included her Asian debut with Musica Viva Hong Kong as Azucena in Il trovat
Tenor Anthony Ciaramitaro, a Florida native, is currently pursuing his Master’s degree at Florida State University under David Okerlund, and has recently performed the role of Don Ramiro in Rossini’s La Cenerentola with Florida State Opera.
Praised by the New York Times as an “excellent tenor” with a voice that has “ping and richness,” American tenor Anthony Kalil is currently a member of the prestigious Lindemann Young Artist Development Program at the Metropolitan Opera.
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer. Following the nationalist example of Bedřich Smetana, Dvořák frequently employed aspects, specifically rhythms, of the folk music of Moravia and his native Bohemia (then parts of the Austrian Empire and now constituting the Czech Republic).
With performances that have been called poetic, earthy, vigorous and highly individual, Ari Pelto is in demand in opera houses and with symphony orchestras throughout the United States.
Arturo Chacón-Cruz, a native of Sonora, Mexico, has established himself in recent years as a leading tenor with exciting appearances in renowned theaters and concert halls across the globe, having sung over 50 roles in more than 20 countries.
Hailed for her “masterful and show-stopping performance” (Opera News), 25-year-old Ashley Milanese returns as an Emerging Artist of Opera Philadelphia for the 2017-18 season where she will sing Erste Dame in the East Coast premiere of Kosky’s production of The Magic Flute, and will cover Lola in the premiere of David Herzberg’s The Wake World.
Astor Pantaleón Piazzolla (born March 11, 1921, Mar del Plata, Argentina—died July 4, 1992, Buenos Aires), Argentine musician, a virtuoso on the bandoneón (a square-built button accordion), who left traditional Latin American tango bands in 1955 to create a new tango that blended elements of jazz and classical music. He was a major Latin American composer of the 20th century.
American mezzo-soprano Beth Lytwynec most recently returned to The Glimmerglass Festival, singing the role of Dryad in Francesca Zambello's new production of Ariadne in Naxos. Following her first season as a member of the Marion Roose Pullin Opera Studio at Arizona Opera, Ms.
Praised by the Huffington Post for his “ringing high notes,” Texas-born tenor Bille Bruley has garnered attention for his strength and versatility in operatic repertoire from baroque to contemporary.
Brandon Morales, Bass-Baritone and 2nd year member of the Marion Roose Pullin Studio Artist Program, has performed with opera companies all over the US - stretching from the Pacific northwest’s Portland Opera to Virginia Opera on the East coast.
Acclaimed by Opera News as a “standout,” young American bass, Brent Michael Smith, is a rising star whose rich voice and dynamic stage presence have attracted the attention of companies across the United States. This Fall, Brent joins the roster of resident artists at the esteemed Academy of Vocal Arts in Philadelphia, where he will study with Bill Schuman.
American tenor Brent Reilly Turner has been critically acclaimed across the United States. Turner’s appearances in opera, concert and recital have been characterized as having a full, dramatic timbre, energetic personality and unique honesty.
San Antonio native Brian Shircliffe has performed with numerous opera companies including Houston Grand Opera, Dayton Opera, Lake George Opera, Pine Mountain Music Festival, Opera Vista, and Opera in the Heights.
Brian Staufenbiel has been the creative director and stage director for Opera Parallèle where he has directed and spearheaded the conceptual designs of the companies’ productions since it was founded in 2010.
Bridgette Wimberly is an award winning poet, playwright, and librettist who has been commissioned and produced by a number of prominent theaters Off-Broadway and across the U. S. Among them are Hackney Empire-London, Opera Philadelphia, Apollo Theatre, Madison Opera, Lyric Opera of Chicago (Charlie Parker’s YARDBIRD); Atlanta’s Alliance Theatre, The Cherry Lane Theatre, St.
A native of Cincinnati, Ohio, Brittany Wheeler earned bachelor’s and master’s degrees in music from the University of Cincinnati College-Conservatory of Music. She participated in the Young American Artist Program at Glimmerglass Opera, where she sang Spirit in Purcell’s Dido and Aeneas.
Louisiana-born soprano, Cadie Jordan, joins Arizona Opera for the 2018/2019 season as a member of the Marion Roose Pullin Studio Artist Program where she sings Despina in Così fan tutte and makes three role debuts as Chan Parker in Charlie Parker's Yardbird, Annina in La traviata, and Susanna in The Marriage of Figaro.
Declared “luminous” by the New York Times and “eloquent” by the Wall Street Journal, soprano Caitlin Lynch is captivating audiences with her portrayals of iconic leading ladies. With a repertoire that encompasses Mozart to Verdi and Handel to Heggie, Lynch brings her dynamic portrayals of both classic and contemporary operas to stages around the world.
Calvin Griffin, a native of Columbus, Ohio, joined the Florida Grand Opera studio in the 2016-2017 season. Mr. Griffin made his debut with the company stepping in as a cover to sing the role of Escamillo in Bizet’s Carmen.
Owner of a "wonderful creamy chocolate voice" Cassandra Zoe Velasco is considered one of Mexico’s rising stars of opera. A recent graduate of the Domingo-Colburn-Stein Young Artist Program at the Los Angeles Opera, Cassandra was a semi- finalist of the 2012 edition of Operalia.
Known as the "Fiery Soprano", Colombian born Catalina Cuervo holds the distinction of having performed the most productions of Piazzolla's Maria de Buenos Aires in the world in the history of the opera.
American mezzo-soprano Catherine Cook has excelled in a wide range of roles with leading companies throughout the United States. Opera Today wrote that “to say that Ms. Cook was a revelation is an understatement, since she stamped the part as her own, and experienced a triumph for her sensational performance.... Ms.
Cecilia Duarte is a native of Chihuahua, Mexico. Besides her work for HGOco and Opera to Go!, she has also participated in musical theater productions in Mexico with composer and director Alberto Espino, performing leading roles in several of his world premieres. She lives in Houston, where she performs and collaborates with various ensembles and composers of the area.
Ms. Lanuza has received rave reviews for her portrayal of El Duende in Maria de Buenos Aires for her “tour de force traversal of the role, morphing easily” as the first female and American actor to play this role delivering all of Horacio Ferrer’s recitation by memory (Opera Today).
American baritone Chad Sloan is recognized as much for his warm, elegant vocalism as he is for deft interpretations of diverse characters.
Known both for his bold and inventive productions and for his acute musical instincts, Chas Rader-Shieber has established himself as one of the most innovative opera directors of his generation.
Cheryl Cellon Lindquist pianist and coach, is a renowned collaborator who has worked with an array of singers, instrumentalists, choirs, chamber ensembles, and symphony orchestras. Dr.
Raised in the small town of Quasqueton, IA, Mr. Carr has performed roles with Arizona Opera, Merola Opera Program, Lyric Opera of Kansas City, Central City Opera, Des Moines Metro Opera and Cedar Rapids Opera Theater. He made his company debut with Arizona Opera last season as a Studio Artist singing several roles including Schaunard in La bohème and Dr.
American baritone Christian Bowers, hailed by Opera News for his "warm, well-knit baritone", and by BroadwayWorld.com for his "strong, clear voice", is quickly making a name for himself at home and abroad as a leading interpreter of the baritone repertoire.
The recipient of The 2017 Sir Georg Solti Conducting Award, Christopher Allen has been featured in Opera News magazine as "one of the fastest-rising podium stars in North America." His conducting career was launched by the Bruno Walter Conducting Award and Memorial Career Grant and has been fostered by Plácido Domingo and James Conlon, who brought him to Los Angeles Opera as an Associate Conduc
A seasoned recitalist and orchestra soloist, pianist Christopher Cano has performed with the Tucson Symphony Orchestra, the Tucson Civic Orchestra, the Southern Arizona Symphony Orchestra, the Catalina Chamber Orchestra, and the University of Arizona Symphony Orchestra. Recital appearances have been in Europe, across the US, Mexico, Israel and the Far East.
Previous to his appointment as Portland Opera’s general director, Mr. Mattaliano was the Artistic Director of the Pine Mountain Music Festival, in addition to his very successful career as a stage director.
Mezzo-soprano Chrystal E. Williams has been described by leading critics as “strong and so assured”, “lithely negotiating the coloratura demands before descending into a robust low register”, and “poised, polished, in complete command of the vocal calisthenics”. She is a winner of Astral Artist, Inc’s 2014 National Auditions.
Based in New York City, Chuck Hudson has directed opera productions at international companies including Cape Town Opera (South Africa), Cincinnati Opera, Florida Grand Opera, Minnesota Opera, Sacramento Opera, Austin Lyric Opera, Opera Cleveland, Seattle Opera, San Francisco Opera Center, Wolf Trap Opera, Opera Santa Barbara, among others.
Clint Borzoni has written over seventy pieces, including two full-length operas, two one-act operas, a piano concerto, percussion quartet, work for orchestra, two string quartets, several works for chamber orchestra and over forty art songs. His music reflects his passion for lyricism and functional harmony.
Clinton Smith's 2018/19 season includes debuts at Atlanta and Arizona Opera conducting Charlie Parker's Yardbird as well as Pagliacci/Pulcinella for Opera Orlando. He joins Atlanta Opera's music staff for Dead Man Walking and will cover Dr. Atomic at Santa Fe Opera.
Cody Martin is quickly becoming known as an important talent in the world of opera. He joined Des Moines Metro Opera for the 2016 season, coaching members of the Apprentice Artist Program and working on productions of Falstaff and Orphée et Eurydice. He returns to Arizona Opera in the fall for his second season as a Marion Roose Pullin Studio Artist, where he will work on the music staff for productions of Rusalka, Madama Butterfly, Riders of the Purple Sage (world premiere), and Cinderella.
Opera News praises Corey Bix for his “clear sense of drama and self-possession, exhibiting sturdy, unwavering control, flinty resonance and confident high notes.” In the 2018/19 season, he makes his role debut as Lohengrin with Opera South West, sings performances of Judge Danforth in The Crucible with Opera Santa Barbara, and joins Des Moines Metro Opera for Hauptman in Wozzeck
Acclaimed by The New York Times as “an outstanding actress, as well as a singer of extraordinary grace and finesse”, soprano Corinne Winters is a recent nominee in the International Opera Awards Young Singer category.
Based in Phoenix, Craig Bohmler is a devoted composer for the stage whose works have been widely performed in the United States, Canada, Europe, and Japan. In addition to four operas and ten musicals, he has written numerous concerti, wind ensemble, choral, and symphonic works. He is currently the Composer in Residence for Arizona Opera.
Craig Colclough began the 2019-20 season with his Metropolitan Opera debut as the tit
American Conductor Craig Kier maintains an active performance calendar while serving as the Director of the Maryland Opera Studio at The University of Maryland School of Music in College Park, Maryland.
Craig Verm is praised for his “resonant, expressive baritone voice” (Denver Post) and riveting dramatic portrayals. In the 2016/17 season, he makes his Seattle Opera debut as Papageno in The Magic Flute and returns to Des Moines Metro Opera for the title role of Billy Budd. He also returns to Pittsburgh Opera as Ping in Turandot, joins Knoxville Opera as Marcello in La bohème, and sings a gala concert for Arizona Opera.
Crystal Manich, international director, has been called “masterly in presenting the dramatic confrontation” and for her “nuanced”, “imaginative” and “lively staging” by the New York Times and Wall Street Journal among other publications.
With an active career in both opera and musical theatre, baritone Curt Olds has been seen in productions ranging from Don Pasquale and The Magic Flute to musicals such as Sondheim’s A Little Night Music, The Threepenny Opera, Broadway’s Riverdance and CATS.
Dale Dreyfoos (Professor of Opera/Music Theater at Arizona State University and Resident Stage Director for Lyric Opera Theatre) has had a multi-faceted career as a Stage Director, Character Tenor, Actor, Educator, and Arts Administrator. Mr.
Stage Director Dan Rigazzi is delighted to be making his debut at Arizona Opera. Recent projects include The Beggar’s Opera at Carnegie Mellon University, Lucia di Lammermoor at the Winter Opera of St. Louis, and La bohème for Ash Lawn Opera. In 2014 Dan made his La Scala debut, assisting Mary Zimmerman with her production of Lucia di Lammermoor.
Hailed by the San Francisco Chronicle as "the evening's biggest find," and praised by both the New York Times for "wielding a rich, substantial voice, along with a winning stage presence," and the Boston Globe for having a "voice full of alluringly dark colorings," Dana Beth Miller is rapidly establishing herself as one of the most p
Catán was of Sephardic Jewish descent. He was born in Mexico City, and studied philosophy at the University of Sussex and music at the University of Southampton. He received a Ph.D. from Princeton University, where he studied with Milton Babbitt, James K. Randall, and Benjamin Boretz.
A graduate of San Francisco Opera's prestigious Adler Fellow Program, American Daniel Montenegro is recognised for a flexible and distinctive tenor voice and a varied repertoire of bel canto, verismo and contemporary roles.
The Romanian born bass-baritone, Daniel Prunaru Reagan, made his professional opera debut in the role of Leporello in Mozart’s Don Giovanni with Opera Nationala Bucuresti, Romania (1998-1999).
The Swiss American composer Daniel was born 1961 in Zurich, Switzerland and lives in New York City.
Baritone Daniel Sutin recently performed as Biterof in Lyric Opera of Chicago’s Tannhauser with Maestro Sir Andrew Davis and the role of Wozzeck at the Metropolitan Opera when asked to step in at the last minute. Other recent performances are with the Savonlinna Opera Festival as Giorgio Germont in La Traviata, Austin Lyric Opera as Tonio in their 2013-2014 season opening pro
Conductor Daniela Candillari continues to be recognized for her dynamic and compelling performances at opera houses and concert stages throughout North America and Europe. Her 2019/20 season features a number of important debuts, including her New York Philharmonic debut conducting Thomson’s The Mother of us All at The Metropolitan Museum of Art.
Mezzo-soprano Daniela Mack has been acclaimed for her “caramel timbre, flickering vibrato, and crisp articulation” (Opernwelt) as she “hurls fast notes like a Teresa Berganza or a Frederica von Stade” (San Francisco Chronicle).
Praised by Opera News as having “a lovely demeanor and irresistible creamy timbre”, American soprano Danielle Pastin continues to gain critical acclaim for her engagements across the country. Ms. Pastin made her Metropolitan Opera debut as Masha in The Queen of Spades in 2011.
Daron Hagen is a prolific composer of acoustic and electro-acoustic music for the concert hall and stage. He is also a stage director, conductor, librettist, essayist, clinician, and collaborative pianist.
Greek-American mezzo-soprano Daveda Karanas has been hailed for her “capacious power” and “a voice lustrous and exciting.” (San Francisco Chronicle)
The Seattle Post-Intelligencer lauds baritone David Adam Moore for his “enviable swagger coupled with a subtle musicality and big, handsome voice.” In the 2014-15 season, he makes his role debut as Eugene Onegin in a return to Arizona Opera.
American tenor David Blalock is becoming widely known for his beautiful lyric voice and widely ranging repertoire. This summer, David joins Skylark Opera Theatre for their performances of Don Giovanni, and returns to the Minnesota Orchestra as the Second Jew in Salome. Upcoming engagements include a debut with Opera San Jose as Ferrando in Così fan tutte, a concert
"A Danish tenor of beautiful tone and elegantly polished phrasing” (Seattle Times), David Danholt won a First Prize at the 2014 Seattle Opera International Wagner Competition and a 2009 Reumert Talent Award. Born in Funen, he trained at the Royal Academy of the Royal Theatre, Copenhagen, and then in the soloist class of the Royal Academy of Music, Copenhagen.
David Guzmán began his professional singing career performing zarzuela at Teatro Colon in Bogota, Colombia, winning numerous awards in Colombian folk music festivals and operatic competitions. He now sings opera, oratorio, and zarzuela internationally. Recent credits include Haydn’s St.
David Hanlon is a composer, conductor, and pianist praised by Maestro Patrick Summers as “one of the major compositional voices of the young generation.” Hanlon recently conducted the premiere of his second chamber opera After the Storm at Houston Grand Opera.
David Margulis has established himself as a strong lyrical singer and actor on domestic and international opera stages alike.
David Paul is an award-winning director for opera, theater, and film. Born in Germany and based in Brooklyn, his work incorporates material spanning five centuries and all genres, and strives to make performance a medium for direct, human communication, regardless of the platform.
Internationally acclaimed for his rich voice with thrilling top notes, Canadian tenor David Pomeroy is enjoying a career that is placing him in the spotlight on some of the world's most important stages.
Texas tenor David Portillo has established a reputation as an accomplished vocalist with “honeyed, perfectly focused singing” (Chicago Tribune).
Dean Williamson, music director of Nashville Opera, is widely known for his perceptive and commanding conducting. He was artistic director of Opera Cleveland and was the founder and music director of Seattle Opera’s Young Artist Program.
“A formidable display of vocal power and dramatic assurance,” mezzo-soprano Deborah Nansteel recently completed the Washington National Opera Domingo-Cafritz Young Artist Program, where she performed many roles including Tisbe in La Cenerentola, Third Lady in The Magic Flute, Curra (cover Preziosilla) in La forza del destino, Paula (cover) in Florencia en el Amazonas, as well as The Cat in Tony Award winning composer Jeanine Tesori’s The Lion, the Unicorn, and Me. She was just presented with the highly esteemed Betty Allen Award and grant from the Sullivan Foundation.
Hailed by The Chicago Tribune as a “Wonderfully natural singing actor,” through his innate sense of style, command of languages, and superior acting abilities, tenor Dennis Petersen is sought after for a variety of operatic roles.
Actress and comedienne Didi Conn is best known for her starring role as Frenchy, the beauty school drop-out in the films Grease and Grease II. She recently commemorated the twenty fifth anniversary of Grease by writing Frenchy's Grease Scrapbook: We'll Always be Together which was published by Hyperion.
Du’Bois A’Keen, a true renaissance spirit and Georgia-Native residing in NYC, is a choreographer, dancer, singer and performer with the renowned performance ensemble and contemporary dance company Urban Bush Women. A’Keen has been with UBW since December 2014.
Born in 1942, Ed Mell spent an idyllic childhood in what was then the small western city of Phoenix, Arizona. He began drawing at a very early age, inspired by the automobiles and futuristic design of the late ‘40s and ‘50s. A burgeoning interest in advertising and illustration led him to attend Art Center College of Design in Los Angeles.
Beloved by critics and audiences alike, American soprano Ellie Dehn has shared her exceptional skills with many of the world's finest opera houses and orchestras, including The Metropolitan Opera, Teatro alla Scala, Royal Opera House, Bayerische Staatsoper, San Francisco Opera, Los Angeles Opera, Houston Grand Opera, San Diego Opera, Santa Fe Opera, Santa Cecilia, and the opera houses of Geneva
Emmerich Kálmán was born Imre Koppstein in Siófok, then in Austria-Hungary, on the southern shore of Lake Balaton, in a Jewish family.
Conductor and pianist Eric Melear has carved out an operatic career as a versatile performer and administrator, dividing his time between conducting, coaching and playing, and having overseen the musical activities of both Houston Grand Opera and Wolf Trap Opera.
American soprano Felicia Moore is recognized as a powerful and innovative emerging artist having made music in partnership with Alan Gilbert, Anne Manson, Yannick Nézet-Séguin, Speranza Scappucci, Gary Thor Wedow, and Brian Zeger among others.
Opera News called Fenlon Lamb “moving and convincing” and Seen and Heard International complemented her “well-honed theatrical sensibility.” Lamb brings these qualities of experience and perspective as an outstanding singing actress to her work as a stage director.
Italian librettist Francesco Maria Piave (1810–76) is best known for his long-standing association with Verdi, for whom he wrote the librettos of operas including Macbeth, Rigoletto, La traviata, Simon Boccanegra and La forza del destino.
A rising star in the younger generation of conductors, Francesco Milioto is forging a unique career as a versatile interpreter of both the operatic and orchestral repertoire. Praised for his energy and integrity on the podium, The Chicago Tribune has said, “Milioto presided with Bernsteinesque bravura”.
Described by the New York Times as “one of America’s finest artists and singers,” Frederica von Stade continues to be extolled as one of the music world’s most beloved figures. Known to family, friends, and fans by her nickname “Flicka,” the mezzo-soprano has enriched the world of classical music for three decades.
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22nd, 1858 – November 29th, 1924) was an Italian composer whose operas are counted among the important operas played as standards.
Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies The Barber of Seville and La cenerentola and the French-language epics Moïse et Pharaon and William Tell. A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart." Until his retirement in 1829, Rossini had been the most popular opera composer in history.
Giuseppe Giacosa (1847 – 1906) was an Italian poet, playwright and librettist. He was born in Colleretto Parella, now Colleretto Giacosa, near Turin. His father was a magistrate. Giuseppe went to the University of Turin, studying in the University of Turin, Faculty of Law. Though he gained a degree in law, he did not pursue a legal career.
Giuseppe Verdi was born in Italy in 1813, prior to Italian unification. Verdi produced many successful operas, including La Traviata, Falstaff and Aida, and became known for his skill in creating melody and his profound use of theatrical effect. Additionally, his rejection of the traditional Italian opera for integrated scenes and unified acts earned him fame.
Beginning his career singing the bel canto roles of Italian opera, Gordon Hawkins drew early praise from critics like Lon Tuck of The Washington Post, who pronounced him to be “one of the most promising young singers of the decade.”
Mezzo-soprano Grace Newberry, a native of California, is attending the University of Cincinnati College-Conservatory of Music (CCM) for her Masters of Music in Vocal Performance, where she studies with Bill McGraw. This season at CCM, Grace worked closely with William Bolcom in a Cabaret show featuring his works and performed the role of Olga in the Merry Widow by Lehár.
Greg Pierce grew up in Shelburne, Vermont. His play Slowgirl was the inaugural play of Lincoln Center's Claire Tow Theater (LCT3). It was subsequently produced by Steppenwolf Theatre and the Geffen Playhouse among others. His play Her Requiem, a Lincoln Center Theater commission, was also produced by LCT3.
Gregory Hirsch's multifaceted career has included nearly 400 productions divided between opera, theatre and television. Opera company production credits include Director of Production at Palm Beach Opera, Portland Opera and San Diego Opera, Production Manager and Technical Director at Dallas Opera and Tulsa Opera.
Gregory Spears writes music that blends aspects of romanticism, minimalism, and early music. His work has been called "astonishingly beautiful" (New York Times), "coolly entrancing" (The New Yorker), and "some of the most beautifully unsettling music to appear in recent memory" (The Boston Globe).
Harold Wilson begins his 2016/17 season in a return to Opera Colorado, singing Ashby in La fanciulla del West. He continues the season debuting the role of Mustafa in L’italiana in Algieri with Sarasota Opera.
Soprano Heather Phillips has been praised for a voice that is “simply glorious” and “glistening.” As a recent fellow at the Aspen Music Festival she sang the role of Helena in A Midsummer Night’s Dream with the Aspen Opera Theatre under the baton of Jane Glover.
Stunning audiences with her sterling lyric soprano voice and incisive stage personality, American soprano Heidi Stober has established herself as a house favorite at leading companies on both sides of the Atlantic.
Henri Venanzi, Chorus Master at Arizona Opera, is in demand today as an accompanist, vocal coach and lecturer throughout the United States and Europe. Venanzi has served as Chorus Master of the Cincinnati Opera since 1974 and is currently Music Director of the Cincinnati American Arts Program.
Horacio Ferrer was born in Montevideo into an educated family, son of Horacio Ferrer Perez, a Professor of History, and Alicia Escurra Francini, who was 11 years older than his father and spoke four languages. He had a close relationship with his brother, Eduardo, to whom he dedicated several of his lyrics.
A native Texan, the young tenor Hugo Vera is described as possessing a “truly heroic voice” that is both “beautiful and brilliant.” Increasingly in demand and a recent addition to The Metropolitan Opera artist roster, Mr. Vera has performed 34 roles and 20 choral orchestral works with distinguished companies in the US as part of his musical and artistic development of the full lyric and spinto tenor repertoire.
Hugo von Hofmannsthal (1874 – 1929) was an Austrian prodigy, a novelist, librettist, poet, dramatist, narrator, and essayist.
Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class Christian Austrian mother, Anna Maria Josefa Fohleutner, and a Christian Austrian–Italian bank manager, Hugo August Peter Hofmann, Edler von Hofmannsthal.
Ian Christiansen is excited to join Arizona Opera again. Noteworthy Arizona engagements include Sons of the Prophet (Stray Cat Theatre), The Light in the Piazza (Phoenix Theatre), City of Angels (TheaterWorks) and others. He was recently in Don Pasquale with Pittsburgh Opera, and will soon appear in Shining Brow this fall with Arizona Opera.
Young tenor Ian McEuen has been praised for his versatility as a performer, impressing audiences with his “sweet lyric tone” and “gravitas on the stage,“ as well as his ability to evoke laughter “just for walking across the stage.” In November 2013, he created the roles of the Hippo and Holy Man in the world premiere of Jeanine Tesori and J.D.
Jacob A. Climer is a Scenic and Costume Designer for opera and theater. Originally from Dallas, Texas.
Boasting a career of performances with major opera companies and orchestras worldwide, bass-baritone Jake Gardner remains one of the opera world’s most sought-after singing actors.
Jake Pinholster is the Associate Dean for Policy and Initiatives in the Herberger Institute for Design and the Arts at Arizona State University and head of graduate programs in interdisciplinary digital media and performance design. As a designer, Jake’s efforts have centered on projection and media design and technology for performance.
The winner of the 2015 Richard Tucker Award, the winner of both the Main and the Song Prizes at the 2013 BBC Cardiff Singer of the World Competition, a winner of the 2007 Metropolitan Opera National Council Auditions and a Grammy nominee, American mezzo-soprano Jamie Barton has been described by The Guardian as “a great artist, no question, with an imperturbable steadiness of tone, and
California native, Jana Mcintyre has been praised for her “dancer’s grace, mercurial wit, and vibrant soprano tone” (Opera News). She finishes her 2017 season at the Merola Opera Program where she made her role debut as Serpina in La serva padrona as well as covered Clorinda in Cinderella.
California native baritone Jared Bybee is a graduate of the prestigious Academy of Vocal Arts where he performed ten leading operatic roles under the tutelage of Christofer Macatsoris, including Guglielmo (Cosi Fan Tutte), Prince Yeletsky (Pique Dame), Germont (La Traviata), Marcello (La Boheme), Valentin (Faust), Don Giovanni, Manfredo (L'Amore Dei Tre Re), Michele (Il Tabarro), Rigoletto, Enr
American baritone, Jarrett Logan Porter, is second year Marion Roose Pullin Studio Artist at Arizona Opera, and in the 2018/19 season will appear as Guglielmo in Cosí fan tutte, as Father Palmer in Kevin Puts' Pulitzer Prize winning opera Silent Night, as Antonio and the cover to il Conte Almaviva in The Marriage of Figaro, and Baron Douphol in La Traviata.
Opera News praises tenor Jason Ferrante for “singing up a stylish storm” and for getting “the gold star for trills” and The Berkshire Eagle says he “seems to brighten every stage he mounts” This season, Ferrante debuts with North Carolina Opera as Triquet in Eugene Onegin, returns to the Sarasota Choral Society as the Tenor Soloist in Handel’s Messiah, joins
Winner of a 2012-13 Sullivan Career Grant, tenor Jason Slayden has been celebrated for the warmth and beauty of his voice, as well as demonstrating “considerable subtlety as an actor.”
Puerto Rican tenor Javier Abreu has been described as a commanding force on stage, incorporating a rich, sweet and agile voice, with ample dramatic skills. Opera News described him as "…a natural Rossini singer," and The Washington Times stated that "his high, supple lyric voice possesses great conviction."
Recognized as an artist of "dramatic presence and versatility" (Washington Post), Trinidadian soprano Jeanine De Bique has been described as possessing "genuine star quality [and] a voice of exceptional beauty" (New York Amsterdam News). Ms.
Soprano, Jenina Gallaway, has performed internationally and throughout the United States. Operatic repertoire includes: Rosalinda in Die Fledermaus, Vitellia in La clemenza di Tito, the title role in Suor Angelica, Serena in Porgy and Bess, Anna Maurrant in Street Scene, Mrs.
A naturally gifted singer noted for her commanding stage presence and profound artistry, Jennifer Johnson Cano has garnered critical acclaim for committed performances of both new and standard repertoire.
A native of Bolivar, New York, soprano Joélle Harvey is quickly becoming recognized as one of the most promising young talents of her generation. She is the recipient of a 2011 First Prize Award from the Gerda Lissner Foundation, a 2009 Sara Tucker Study Grant from the Richard Tucker Foundation, and a 2010 Encouragement Award (in honor of Norma Newton) from the George London Foundation.
Director and choreographer John de los Santos has been called a “brilliant combination of literary insight and choreographic creativity.” He has staged a range of productions that include opera, musicals, plays, ballet, concerts, variety shows, and workshop readings.
John Lindsey, whose voice has been described as "a blazing tenor" by Opera News, has gained a reputation as a budding dramatic tenor with a connection to German, English and new works repertoire.
A frequent performer in both Europe and the United States, John Moore is garnering praise for his energetic performances and burnished baritone in both operatic and concert repertoire.
A 2016 Grand Finalist of The Metropolitan Opera National Council Auditions, tenor Jonas Hacker regularly receives high praise for his “attractive tenor voice” and his ability to convincingly portray characters across genres from Mozart to Glass.
South Korean baritone Joo Won Kang continues to establish himself as one of the most talented baritones today, popular both with audience and critics.
Jose Maria Condemi’s directorial work, which has been presented by companies in North America and abroad, encompasses an eclectic range of styles and repertoire and has been consistently praised for its creatively theatrical and innovative approach.
José “Pepe” Martínez was born in Tecalitlán, Jalisco, Mexico, and joined his first mariachi band as a violinist at the age of twelve. He began writing music when he was nineteen years old, and in 1966 formed his own mariachi ensemble, Mariachi Nuevo Tecalitlán.
Hailed by Anthony Tommasini of the New York Times as “vocally robust” and “lyrically malevolent”, American Bass-Baritone Joseph Barron was a winner of the 2011 Metropolitan Opera National Council Auditions and the 2013 Sullivan Foundation Awards. In the 2013-2014 season, Mr.
Conductor of opera, oratorio and symphonic works, and educator, Joseph Colaneri’s achievements are outstanding in each of the areas in his multi-faceted career. After fifteen seasons as a member of the conducting roster of the Metropolitan Opera, Maestro Colaneri is the newly appointed Artistic Director of the West Australian Opera in Perth and concurrently serves as Artistic Director of Oper
Baritone Joseph Lattanzi is gaining notice for his “robust vocalism,” “unmistakable charisma,” and “undeniable star potential.” A 2017 recipient of a top prize from the Sullivan Foundation, Joseph Lattanzi established himself as a singer to watch with his portrayal of Hawkins Fuller in the world premiere of Greg Spears’ Fellow Travelers with Cincinnati Opera, followed by further perfo
Regarded as a conductor of authority and warmth, Joseph Mechavich is known for his exceptional artistry and infectious energy which he brings to every performance as well as the personal and career-defining relationships he has forged with a number of opera companies and orchestras.
Since 1981, Joseph Rescigno has served as Artistic Advisor and Principal Conductor of the Florentine Opera Company of Milwaukee (WI), where he has conducted some of the company’s most challenging repertory. He also has been Music Director of La Musica Lirica, a summer program for singers in Northern Italy, since 2005.
Known for his innovative and thoughtful productions, Joshua Borths previously served as the Resident Stage Director and Director of Education and Community Engagement at Arizona Opera where he has directed productions of Il babiere di Siviglia, Florencia en el Amazonas, Rusalka, and the Sapphire Celebration featuring Frederica von Stade. Borths is also on the directing staf
The Minneapolis Star Tribune praises tenor Joshua Dennis’ performances, exclaiming, “he made his sincerity believable, and his voice, a robust tenor with baritonal heft, rose to the high climaxes with ringing, ardent bravado.”
Skilled across many genres, Joshua Jeremiah began last season with engagements with LoftOpera in a concert of Verdi duets; appearances in concerts with the New Haven Symphony and Toledo Symphony; he joined Beth Morrison Projects in the role of The Man in the world-première of Persona by Keeril Makan; added Demetrius in A Midsummer Night's Dream with Hawai'i Opera Theater; reprised the role of Gianni Schicchi with Mobile Opera; Petite Messe Solennelle with Smith College; and, a Rodgers and Hammerstein Concert with Toledo Symphony.
American tenor Joshua Stewart, “strikingly good” (The Guardian), has been praised for his “big, warm, confident” voice (Palm Beach Arts Paper) and “interpretive conviction” (Philadelphia City Paper). Displaying compelling artistry and versatility, he is quickly making a name for himself in the world of opera without losing touch with his jazz roots.
Juan Mejia’s local theater credits include Angels and Demons, The Samaritan Woman, and everything at Rice University. He studied acting at Talento Bilingüe de Houston (TBH), and has gone on to perform a variety of roles with TBH, including Miguel in Bocon (Big Mouth) and Otto in Houston Speaks.
A winner of the 2014 Metropolitan Opera National Council Auditions, 2015 George London Award, 2015 Elizabeth Connell prize for aspiring dramatic sopranos, and recipient of a 2015 Sara Tucker Study Grant, soprano Julie Adams has been praised by the New York Times for possessing a voice that is “rich, full and slightly earthy in an expressive way.” The 2018/2019 season sees Adams’ house debut wit
D. Justin Carpenter currently teaches voice at Grand Canyon University and Scottsdale Community College. He has been a Bonfils-Stanton Young Artist with Central City Opera where he covered the role of Joe Crowell in Ned Rorem’s Our Town. He has also been a Regional Finalist in The Metropolitan Opera National Council auditions.
American soprano Kaitlyn Johnson is quickly becoming an artist to watch in operatic repertoire ranging from classical to contemporary. Johnson returns as a Marion Roose Pullin Arizona Opera Studio Artist in 2019/20, which brings four exciting role debuts.
Dramatic soprano, Kara Shay Thomson continues to build her expansive stage career by creating characters that push the limits both musically and dramatically and this year is no exception.
Hailed for possessing a voice of extraordinary beauty, a seamless legato and great dramatic depth, young American soprano Karen Slack was most recently heard in the title role of Tosca and as Leonora in Il trovatore with Arizona Opera, Mahler Symphony No. 2 with The Latvian National Symphony, Beethoven Symphony No.
Soprano Karin Wolverton has been described by Opera News as “a young soprano to watch” having “a lovely warm tone, easy agility and winning musicality”.
Applauded for her “florid musicality” and “von Stade-like shimmer,” mezzo Katherine Beck has been recognized for her unique sound and honest performances throughout the United States. In 2018, Beck took First Prize at the Mildred Miller International Voice Competition and Third Place in the Metropolitan Opera National Council’s Western Regionals.
Recently, Kathleen Berger has performed as a soprano soloist in Beethoven’s Mass in C (Helios Ensemble); Robert Kapilow’s What Makes it Great: Gershwin (Musical Instrument Museum); Joseph and the Amazing Technicolor Dreamcoat (Narrator/Fountain Hills Theatre); Love is Here to Stay: A Gershwin Cabaret (Theater Works); Beggar
Kathleen Kelly enjoys a wide-ranging and dynamic musical life as a pianist, opera coach, conductor, and master teacher. The first woman and first American named as Director of Musical Studies at the Vienna State Opera, Kathleen recently returned to the United States to join the faculty at the Butler School of Music at the University of Texas at Austin.
American soprano Katie Van Kooten’s operatic and concert appearances continue to thrill audiences and earn her praise for using her “powerful, gleaming soprano” to bring vibrancy and life to all of her performances. Of her recent role debut as Tatyana in Tchaikovsky’s Eugene Onegin, the Houston Chronicle wrote, “Her singing is extraordinary in is radiance, power and sheer expressivene
Katrina Galka was a two season Marion Roose Pullin Studio Artist and appeared in Candide as Cunegonde, The Barber of Seville as Rosina, Das Rheingold as Woglinde, Hercules vs Vampires as Medea, Zarathusa, Chained Woman, & Helena, and in Tosca as The Shepherd Boy.
Conductor Keitaro Harada continues to be recognized at the highest levels for his artistic abilities and passion for musical excellence. As a recipient of The Solti Foundation U.S.
A noted interpreter of Mozart and bel canto repertoire as well as Benjamin Britten and many of today’s living composers, Opera News has hailed Keith Phares "as an authentic contemporary-American-opera divo" with "an impressive gallery of finely-drawn character portraits".
Ken Goodenberger, Artistic Director and Conductor, has been a prominent member of the musical scene in Phoenix for over 30 years. He is active as a conductor, choral clinician, voice teacher, actor and singer. Goodenberger currently serves as Director of Music at Shepherd of the Hills United Methodist Church in Sun City West, and is the Artistic Director of the West Valley Chorale.
Arizona Opera audiences will remember Choreographer Keturah Stickann from Orfeo ed Euridice in 2012. Ms. Stickann has served as choreographer for Cruzar la Cara de la Luna at the Houston Grand Opera, Le Théâtre du Châtelet, and the Lyric Opera of Chicago. A stage director in her own right, Ms. Stickann will direct Don Quichotte for the San Diego Opera in March 2014.
Kevin Newbury is a theater, opera, film, and event director based in New York.
As a growing specialist in contemporary opera, Kevin Newell made his mainstage debut at Fort Worth Opera in 2012 as Maron in Mark Adamo’s Lysistrata. This summer, Opera Today proclaimed that Newell is an artist “whose stock is no doubt on the rise,” as he performed the role of Simon Stimson in Our Town at Central City Opera.
Winner of the 2012 Pulitzer Prize for his debut opera Silent Night, Kevin Puts has been hailed as one of the most important composers of his generation.
Rising American tenor Kevin Ray joins the Phoenix Symphony for Beethoven’s Symphony No. 9, Florida Orchestra for Rachmaninov’s The Bells, and the Midcoast Symphony Orchestra for Verdi’s Requiem. Future engagements include the debut of a leading role with Arizona Opera.
Khachatur Badalyan was born on the 9th of May 1982 in Orjonikidze (Vladikavkaz, Northern Osetia).
In 2004 he graduated with a red diploma from Don State Technical University (Department of International Economic Relations). And studied in Rostov State Conservatory of Music by S. Rachmaninov (professor Petrova N.)
Kristin Atwell Ford collaborated with Arizona Opera to bring Riders of the Purple Sage to the operatic stage. As an Emmy Award winning filmmaker, Kristin produced and wrote Fire & Water for Salt River Project, which recently aired on PBS/Channel Eight. Kristin co-produced and wrote, Protecting the Source, which also explores the relationship between fire, forest health, and water in the West and won the 2016 Emmy Award for Best Environmental Special.
A Grammy Nominated artist who has performed in all 50 states and throughout Canada, Bass-Baritone Kristopher Irmiter is one of the most sought after low voices in the U.S. He has appeared with San Francisco Opera, Opera de Montreal, Lyric Opera of Chicago, Houston Grand Opera, Baltimore Opera, Atlanta Opera, Pittsburgh Opera, Utah Opera, Austin Lyric Opera, Opera Lyra Ottawa, Arizona Opera, and Florida Grand Opera among many others.
Bass-baritone Kyle Albertson is renowned not only for his versatile voice, confidence, and style, but also for his ability to bring a character to life on stage.
American soprano, Lacy Sauter, is quickly becoming known for her vocal and dramatic versatility. She returns to Arizona Opera for the 2017/18 season as Dianara, Hesperide 1, City Woman and Peasant Woman in Hercules vs Vampires and Welgunde in Das Rheingold.
Soprano Laquita Mitchell consistently earns acclaim on eminent international opera and concert stages, leading performances with Los Angeles Opera, San Francisco Opera, Houston Grand Opera, Lyric Opera of Chicago, New York City Opera, Washington National Opera, and Opéra Comique in Paris, New York Philharmonic, The Philadelphia Orchestra, Detroit Symphony Orchestra, among many others.
A 2019 Richard Tucker Foundation career grant recipient, American soprano Laura Wilde has been praised by Opera News as having, “a ravishingly beautiful sound, [and] a fine sense of style and character.” In the 2019/20 season, Wilde will return to the Lyric Opera of Chicago as Sieglinde in The Valkyrie, as well as Freia, Ortlinde and the Third Norn for the full Ring Cycle
Described by the New York Times as possessing an “agile coloratura technique and a feeling for the Italianate style… with warmth, full penetrating sound and tenderness,” American soprano Leah Crocetto continues to astonish audiences with her moving portrayals of opera’s greatest heroines. Ms.
Leonard Bernstein was born on August 25, 1918, in Lawrence, Massachusetts. His birth name was Louis, the name his grandmother adored, but his family always called him Leonard or Lenny, which he officially renamed himself when he was 16.
Leonard Foglia is a theater and opera director, as well as a librettist. His work has been seen on Broadway, across the country, and internationally.
With a velvety tone and a stage presence which exudes confidence and charm, baritone Levi Hernandez is gaining momentum as a sought after artist on the operatic stage.
Russian-American conductor Lidiya Yankovskaya is a champion of Russian masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. As Music Director of Chicago Opera Theater, Lidiya is the only woman to hold that title in a multimillion-dollar opera company in the United States.
Praised as “radiant and authentic” by Opera News and an artist with a “gracious tone” by The New York Times, American soprano Lindsay Russell is quickly gaining recognition in the operatic world.
This fall Lisette begins in Paris in concert, singing Nannetta in FALSTAFF with the Orchestre de Paris. Afterward, she heads to London where she makes her debut at the Royal Opera House-Covent Garden in the title role of LUCIA DI LAMMERMOOR. Then she returns to the Metropolitan Opera to sing her first performances of Gretel in HANSEL AND GRETEL.
Loren Battieste currently lives in Phoenix area after completing an Artist's Diploma with the Chicago College of Performing Arts. While at CCPA Loren performed many roles, including Papageno in The Magic Flute and Paul in Daron Hagen's Amelia. In 2017, Loren performed the role of Imperial Commissioner in Arizona Opera’s production of Madama Butterfly.
Lorenzo Da Ponte was born Emanuele Conegliano in 1749 in Ceneda, in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, Geronimo Conegliano, then a widower, converted himself and his family to Roman Catholicism in order to marry a Catholic woman.
Lucy Schaufer's current and future engagements include Mrs.
Luigi Illica (1857 – 1919) was an Italian librettist who wrote for Giacomo Puccini (usually with Giuseppe Giacosa), Pietro Mascagni, Alfredo Catalani, Umberto Giordano, Baron Alberto Franchetti and other important Italian composers. His most famous opera libretti are those for La Bohème, Tosca, Madama Butterfly and Andrea Chénier.
An El Paso Texas native, Mexican-American Baritone Luis Alejandro Orozco has been praised for his “voluminous baritone and beautiful legato.” Luis begins the 2018/19 season with Mill City Summer Opera as Escamillo in Carmen.
Luis Ledesma frequently portrays the heroes and villains of Puccini and Verdi in addition to performing the important bel canto roles of Bellini, Donizetti, and Rossini. His growing repertoire includes many roles in the French repertoire and has extended to the verismo composers as well.
Marcela Fuentes-Berain mujer de letras, maestra y emprendedora incansable de ideas para la pantalla. Es licenciada en Filosofía por la Universidad Nacional Autónoma de México y en Cuba en la Escuela Internacional de Cine y Televisón de San Antonio de los Baños donde estudió Guionismo, donde fue asistente de curso y colaboradora cercana por más de una década de Gabriel García Márquez. La también discípula de Syd Field, durante el taller que impartió en México, formó parte del taller permanente de dramaturgia del maestro Hugo Argüelles.
Marco Cammarota, tenor, is currently a resident artist at the Academy of Vocal Arts in Philadelphia under the tutelage of William Schuman. Recent roles of note include Nemorino in Elixir of Love at Opera Santa Barbara, Avito in Italo Montemezzi's rarely performed gem: L'amore dei tre Re with the Academy of Vocal Arts, and Alfredo in La Traviata with the Rochester Philh
Marcus DeLoach has been hailed by Anthony Tommasini of the New York Times as "a fine baritone who puts words across with clarity and naturalness." A leading performer of contemporary classical vocal music today, he has established himself in the areas of opera, concert, and crossover.
Marcus Shields is a New York City based director who specializes in the presentation and performance of classical music.
Marcy Stonikas is a graduate of Roosevelt University’s Chicago College of Performing Arts (CCPA) and Oberlin College Conservatory of Music. A graduate of the Young Artist Program at Seattle Opera, she performed the roles of Donna Anna in Don Giovanni, Fiordiligi in Così fan tutte, and the title role in Ariadne auf Naxos, whilst a member of the program.
Margaret Gawrysiak, mezzo-soprano, recently performed Baba the Turk and Mother Goose inThe Rake’s Progress; Mrs. Lovett in Sweeney Todd; and La Mère d’Antonia in Les contes d’Hoffmann with Wolf Trap Opera; Gertrude/Witch in Hansel and Gretel,Eunice in A Streetcar Named Desire, and Marzelline in Le nozze di Figaro with Virginia Opera; and Frugola in Il tabarro, and Zita in Gianni Schicchi with Maestro Lorin Maazel at the Castleton Festival.
Praised for “a vocal instrument of exceptional beauty, range, and flexibility” and “innate artistry”, mezzo soprano Maria Dominique Lopez, has sung operatic roles both in the United States and Europe, and represented Arizona as a regional finalist in the Metropolitan Opera National Council Auditions. Ms.
In 2010, french mezzo-soprano Marie Lenormand received the "Grand Prix de la Critique, Revelation Musicale of the 2009-2010 season" for her interpretation of Mignon, by Ambroise Thomas, in a widely acclaimed revival of the piece at the Opéra comique in Paris (the very theater where Mignon had been created), with stage director Jean-Louis Benoit and conductor François-Xavier Roth.
Winner of the 2014 Opealia Competition, Guatemalan tenor Mario Chang has been praised as a “born bel canto tenor” by Anthony Tommasini in the New York Times. In the 2018/2019 season, Chang will sing Alfredo in La Traviata, marking his debuts with both Washington National Opera and Atlanta Opera.
Mark Campbell’s work as a librettist is at the forefront of this country’s contemporary opera scene. The more than twenty librettos he has written—including the five new operas he premiered in 2017—demonstrate a versatility in subject matter, style, and tone, an adeptness at creating successful work for both large and intimate venues.
A crossover artist of immense skill, Mark Delavan has proved himself a strong character actor on stages throughout the country. Most recently, Delavan starred as Phil Arkin in Milk and Honey with York Theatre Company, to critical acclaim.
Described by Das Opernglas as “a strong, rich and warm-colored voice with assured style,” Mark Schnaible joins Arizona Opera for Bartolo in The Marriage of Figaro in the 2018/19 season.
Praised by Opera News as a "vocally charismatic" performer with a "golden tenor", Martin Bakari continues to distinguish himself as a dynamic artist in a wide array of musical and theatrical genres. A 2018 George London Competition award winner, Mr.
Matthew Burns is a dynamic performer known for his unique portrayals of opera’s most acclaimed bass-baritone roles spanning the repertoire from dramatic roles to buffo roles, and everything in between. Career highlights include Paolo in Schreker’s Die Gezeichneten with Los Angeles Opera; Basilio in Il barbiere di Siviglia with Florida Grand Opera; Leporello in Don Giovanni with Boston Lyric O
American Stage Director Matthew Ozawa has an international career spanning all artistic disciplines having worked for prestigious companies worldwide including Canadian Opera Company, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Opera Siam, Macau International Festival, and Oregon Shakespeare Festival.
American tenor Matthew Polenzani is one of the most gifted and distinguished lyric tenors of his generation. His elegant musicianship, innate sense of style, dramatic commitment, and timeless artistry have established his continued presence at leading operatic, concert, and recital venues worldwide.
Puerto Rican soprano Meechot Marrero, hailed by El Nuevo Día as, “a revelation…a young Puerto Rican star with a great career ahead” is a recent master’s degree recipient of the Yale School of Music, and in the 2016/17 season, will join the Deutsche Oper Berlin ensemble, after being awarded the American-Berlin Scholarship from the Opera Foundation. At Deutsche Oper Berlin, Ms.
The Philadelphia Inquirer hails Melinda Whittington as "especially marvelous in handling the rapturous jail scene music” in recent performances of Marguerite in Faust.
Praised by Opera News for “brandishing a beautiful, evenly produced, nicely ripe sound,” Michael Adams makes role and company debuts as Zurga in Les pêcheurs de perles at the Grand Teatro del Liceu, Enrico in Lucia di Lammermoor with Knoxville Opera, and Gaylord Ravenal in Showboat at The Glimmerglass Festival in the 2018/19 season.
Mr. Corvino began his operatic career in 1997, singing the role of Sharpless with Opera Northeast’s production ofMadama Butterfly. Since then, his career has continued to grow and flourish, taking him to Europe and Asia, as well as to many houses in the United States.
Michael Lewis is a second year Marion Roose Pullin Studio Artist and is the Studio Pianist for the 2018/19 season. Prior to joining Arizona Opera, he attended Arizona State University in Tempe, AZ where he studied with Russel Ryan and received his Master's degree in Collaborative Piano.
Michael Shell's "visionary" and "masterful storytelling" (Opera News) is steadily leading him to be one of the most sought after directors in the United States. His "thoughtful and detailed score study" (Opera Today) is shown in character development and relationships onstage as well as the complete visual world he creates.
Miles Mykkanen has garnered recognition on the world’s concert and operatic stages for his “focused, full-voiced tenor” (The New York Times). Of his performances in Eugene Onegin at the Juilliard School, Opera News wrote, “Mykkanen was a knockout as Lensky.
American baritone Morgan Smith is one of the most sought after performers of modern operatic repertoire in the world. Known for his riveting dramatic portrayals and the power and beauty of his voice, Mr. Smith has been entrusted to create 12 roles in world premieres, including Starbuck in Jake Heggie's widely acclaimed Moby-Dick. Mr.
Praised by the Washington Post as having a voice of "unearthly power," The Houston Press as being a "blow away singer," and the San Jose Mercury News as a "natural comic actor," American bass, Nathan Stark, has performed on operatic, concert and recital stages throughout the United States, Europe and China.
Nathan Troup maintains a body of work spanning standard operatic repertoire, new work premieres, uniquely curated site-specific projects, and distinct collaborations with multidisciplinary artists.
A graduate of the Houston Grand Opera Studio, accomplished young bass Nicholas Masters was the First Prize and Audience Choice winner in the 2013 Dallas Opera Guild Vocal Competition.
Hailed by the New York Times for her “technically accomplished coloratura” as well as, “floating lyricism,” soprano Nicole Haslett makes a number of role debuts in the 2017/18 season: covering Marnie's shadow in Marnie at The Metropolitan Opera, Katherine in Oceane at Deutsche Oper Berlin, and soprano soloist in Carmina Burana with Toronto Symphony.
American baritone Norman Garrett, a native of Lubbock, Texas, is a recent alumnus of the Domingo-Cafritz Young Artist Program at Washington National Opera.
Houston Grand Opera Studio alumnus Octavio Moreno appeared at on the mainstage in Houston during the 2009/10 season as Sourin in Tchaikovsky's The Queen of Spades, Belcore in Donizetti's L'Elisir d'amore and as a Noble in Wagner's Lohengrin.
Composer Patrick Morganelli holds degrees in music from both California State University Northridge and the USC Thornton School of Music where he studied Piano with Daniel Pollack and Composition with Frederick Lesemann and Tamar Diesendruck, graduating with distinction.
Paul Muldoon is an Irish poet and professor of poetry, as well as an editor, critic, playwright, lyricist and translator.
Paul Nicosia, an American tenor, most recently appeared at Opera Theater of Montclair singing the role of Acis in their production of Acis and Galatea. Following that he performed the role of Danny in Arizona Opera’s premiere of Arizona lady by composer Emmerich Kálmán.
Recent highlights of Mr. Volpe's career include three broadcasts for the Metropolitan Opera's Live in HD series: Puccini's Gianni Schicchi (with Il tabarro and Suor Angelica), Rossini's Armida, and Verdi's La Traviata, the Verdi Requiem at the Chichester Festival in Chichester, England, and the popular French grand opera Les Huguenots in the role of Marcel at the Bard Festival; the first time the opera was staged in America since the Metropolitan Opera's production 95 years earlier.
Rachele Gilmore has established herself as one of America’s most sought after coloratura sopranos, and continues to thrill audiences around the globe combining what Opera News describes as a “silvery soprano…with an effortlessness that thrills her audience.” A regular performer in America, Europe and Asia, Ms.
Tenor Rafael Davila has quickly risen to be one of the most sought-after tenors of his generation.
Lauded by the Seattle Times as a “passionate singing actor with a voice of considerable heft and power” and for her “fearless, thrilling high notes,” Rebecca Nash recently triumphed in her role and company debut as Senta in The Flying Dutchman with Seattle Opera. This season, she joins Theater Kiel as Färberin in Die Frau ohne Schatten in new production by Brigitte Fassbende.
Praised by the San Francisco Chronicle for a “winningly liquid” voice as well as for her “dramatic vividness and vocal flourish,” soprano Rena Harms returns to English National Opera to sing her first performances of Cio-Cio-San in Madame Butterfly, makes her French debut at Opera National de Bordeaux as Amelia in Simon Boccanegra, returns to Florentine Opera in her role debut as Beatrice in Three Decembers and performs one of her signature roles, Donna Elvira in Don Giovanni with Opera Santa Barbara during the 2015/16 season.
Tenor René Barbera, a graduate of Lyric Opera of Chicago’s Patrick G. and Shirley W. Ryan Opera Center, has swiftly established himself as a dominant presence in the opera world. In Placido Domingo’s Operalia 2011, he was awarded First Prize for Opera, First Prize for Zarzuela, and the Audience Prize.
Rhea Miller was the Soprano Teaching Artist for Arizona Opera’s 2013 and 2014 OperaTunity Outreach Program. She also had the opportunity cover-study the roles of Lucia, Susanna, Josephine, Musetta, Violetta, and Norina in Arizona Opera’s productions of Lucia di Lammermoor, Le nozze di Figaro, H.M.S.
With a “resonant” bass sound Puerto Rican bass Ricardo Lugo is a versatile international artist in demand on the operatic and concert scene.
In the spring of 2015, baritone Ricardo Rivera — who was a semi-finalist in the Met Opera National Council Auditions and is the recipient of the Richard F.
Grammy-award winning dramatic baritone, Richard Paul Fink, has been acclaimed internationally in appearances with theaters that include The Metropolitan Opera, Wiener Staatsoper, Deutsche Oper Berlin, Berlin State Opera, Opera National de Paris, San Francisco Opera, Houston Grand Opera, Washington National Opera, San Diego Opera, Hamburg State Opera, Welsh National Opera, Scottish Opera, Theatr
Known informally as the “other Richard” or the “other Strauss,” Richard Strauss (1864 - 1949) rose to become the most important composer of German opera in the early 20th century. Strauss advanced melodic and harmonic theories, while at the same time looking over a sentimental shoulder toward the waltz king’s Viennese dramaturgy and stagecraft.
Wilhelm Richard Wagner was born on May 22, 1813, in Leipzig, Germany, and went on to become one of the world's most influential—and controversial—composers.
Recognized for his “impressive singing … well-supported tone and supple phrasing,” (Baltimore Sun) baritone Rob McGinness‘ recent venue debuts include Stern Auditorium at Carnegie Hall and the Kennedy Center Concert Hall.
Robert Bosworth has been studying operatic repertoire for the last several years. Described as "consistently engaging to watch" by Opera News, Mr. Bosworth currently serves as a Resident Artist with Utah Opera. He is also an alumnus of the Merola Opera Program, Music Academy of the West, and Opera Saratoga's Young Artist Program.
Robert Orth has performed 134 roles in opera and musicals in scores of cities including London, Berlin, Rome, New York, San Francisco, Houston, Los Angeles, Seattle, Philadelphia, Chicago, Dallas, Miami, Portland, Washington D.C., and Denver. He was named “Artist of the Year” by both New York City Opera and Seattle Opera.
American mezzo-soprano Robynne Redmon has firmly established herself as one of the greatest leading ladies of this generation. Ms. Redmon is renowned the world over for her “glorious singing, intense acting, excellent phrasing, ardent tone, splendid shading, solid coloratura and excellent artistic sense”.
Rodell Rosel is a guest of the major opera companies in the U.S. Following his debut at the Lyric Opera of Chicago as Remendado in Carmen, he has appeared on their stage as the Prince and Man Servant in Lulu, Spoletta in Tosca, the First Priest in The Magic Flute, Borsa in Rigoletto and as Faninal’s Major-domo in Der Rosenkavalier, Altoum in Turandot and the Second Jew in Salome, Bardolph in Falstaff, Ruiz in Il Trovatore, Benvoglio in Roméo et Juliette, Dr. Blind in Die Fledermaus, the Four Servants in The Tales of Hoffman and Monastatos in The Magic Flute.
Bass-Baritone Ryan Kuster gained vast attention on the west coast for his accolades in San Francisco, where he recently completed a two-year residency and over 80 performances with the prestigious Adler Fellowship at San Francisco Opera.
Upcoming engagements during the 2016-17 season for Sandra Lopez include performances as Cio-Cio San in Madama Butterfly with the Arizona Opera, her company and role debut as Blanche de la Force in Dialogues des Carmelites for the Sarasota Opera, and the title role in Catan’s La Hija de Rappaccini for Alamo City Opera.
A native of St. Paul Minnesota, Sara Gartland earned favorable notices this season as Curley's Wife in Utah Opera's production of Carlyle Floyd's Of Mice and Men, for which Opera News said, "Floyd, in Salt Lake City to observe final preparations and attend opening night, made some minor revisions to the score, including the addition of string glissandos when Curley's wife, played with glittering coloratura and astute restraint by soprano Sara Gartland, allowed Lennie to stroke her hair. The compositional tweak gave an added layer of creepiness to the scene, which is capped by the woman's startlingly realistic death."
American soprano Sarah Coburn is captivating international audiences with her “precision placement, mercury speed, and a gorgeous liquid gold tone, gilded by a thrilling top and bottom register” (The Globe and Mail).
Praised as “sizzling,” “riveting” and possessing a “plummy, ripe mezzo,” mezzo-soprano Sarah Larsen’s 2015/2016 season begins with a return to Wolf Trap Opera where she performs Susanna in The Ghosts of Versailles and in Steven Blier’s The Rodgers Family – A Century of Musicals.
Noted for her intelligent musicality and warm vocal color, Sarah Tucker is gaining momentum as a stand-out young soprano.
Saúl Ávalos was born in Ciudad Victoria in Tamaulipas, Mexico, and began singing at the age of six. His father taught him to play several string instruments, including the jarana, guitar, and violin. He studied music at the State University of Tamaulipas, which he entered at age fifteen.
Lauded by the Dallas News for a "clarion" voice, tenor Scott Quinn fills his 2014-15 season with role debuts. He joins the Lyric Opera of Kansas City for Alfredo in La traviata and Atlanta Opera for Duca in Rigoletto. He returns to Houston Grand Opera as Pirelli inSweeney Todd and Tamino in outdoor performances Die Zauberflöte as well as Dallas Opera fo
Conductor Scott Terrell was appointed Music Director of the Lexington Philharmonic in 2009. During his tenure, Mr. Terrell has re-invigorated and raised the artistic level of the ensemble, expanded collaborations, increased subscriptions and challenged its musicians and audiences with a greater diversity of repertoire and programs. Several major gifts were acquired because of Terrell’s artistic vision and direction resulting in the establishment of an Emerging Artist Chair and a Composer-in-Residence chair.
Shawn Galvin is the Curator of New Music Raleigh (NMR), “the Southeast's most plugged-in musical collective devoted to the work of living composers” (Indy Week).
Described as “vocally superb” with an “ample” and “rich” baritone voice, Shea Owens is quickly establishing himself as an emerging artist. A versatile performer with “canny stage presence,” he is well-suited for a wide variety of music and roles.
Lauded by The New York Times as a “terrific singer” with a “deep, rich timbre” and the San Francisco Chronicle as an “opera powerhouse” with a “weighty and forthright” sound, Sidney Outlaw was the Grand Prize winner of the Concurso Internacional de Canto Montserrat Caballe in 2010 and continues to delight audiences in the U.S.
Stefano de Peppo is one of opera’s busiest singing actors sought after for the Italian character bass parts in operas by Donizetti, Rossini, and Mozart such as the title role in Don Pasquale, Dulcamara in Elixer of Love, Don Magnifico in La Cenerentola, Mustafa in L’Italiana in Algeri, Bartolo in The Barber of Seville, Leporello in Don Giovanni, title role in The Marriage of Figaro, and Alphonso in Così fan tutte. Other notable roles include the Sacristan in Tosca, Schaunard in La bohème, and Geronte in Manon Lescaut.
Winner of the Adelaide Bishop award for artistic quality and winner of the Opera America Director-Designer Showcase, Stephanie Havey has staged productions for Pittsburgh Opera, Michigan Opera Theatre, Opera de Montreal, Atlanta Opera, Opera Omaha, New York City Opera, North Carolina Opera, and Hawaii Opera Theatre, as well as, new productions of La Rondine for The Curtis Institute of
In the 2017/18 season, Stephanie Lauricella makes her debut with Arizona Opera in The Barber of Seville. also returned to the Opéra National de Paris for a revival of Dorabella in Così fan tutte and will make her house debut with Glyndebourne Festival this summer as Annina in Der Rosenkavalier.
Praised for her “full voiced sound,” Stephanie Sanchez is quickly creating a name for herself as an exciting young mezzo soprano. Her repertoire ranges from Handel to Wagner as well as premiers of contemporary American works. This summer Ms.
Steven Mark Kohn’s creative output as a composer, arranger, and writer spans the gamut from folk song arrangements premiered at Carnegie Hall to television jingles for Fortune 500 companies and Disney Channel film scores.
Praised by Opera News as a conductor who “squeezes every drop of excitement and pathos from the score,” Steven White is one of North America’s premiere conductors of both symphonic and operatic repertoire.
Susan Shafer has performed to great acclaim with opera companies throughout North America and Europe.
Susannah Biller, a former Adler Fellow, has appeared at the San Francisco Opera as Kristina (The Makropulos Case); Frasquita (Carmen); Despina (Così fan tutte); in addition to creating the roles of Lolita and a Bridesmaid in Heart of a Soldier.
American mezzo-soprano Susanne Mentzer has established herself not only as an international singer but also as a writer, teacher and arts advocate.
Stage director Tara Faircloth’s work has been seen in opera houses around the nation. Critics hailed her recent The Marriage of Figaro, calling it "an unstoppable momentum of manipulation and misunderstandings. This production was so fresh that it had the ability to bridge yet another gap, entertaining the amateur and the opera aficionado alike” (Opera News).
Taylor Stayton’s “laser-bright timbre” and “exceptional fluidity above the staff” (Opera News) continue to distinguish him as one of the most sought-after tenors in his repertoire. Stayton’s 2015/16 season begins with his debut at the Norwegian National Opera in his acclaimed interpretation of Almaviva in Rossini’s The Barber of Seville.
Thomas Cannon is attracting attention as an important young singer with a unique vocal timbre, exquisite musicianship, and sensitive artistic expression.
Baritone Thomas Glass is a 2018/2019 Studio Artist at Houston Grand Opera, where this season he makes his role debut as Marcello in La Bohème, Alvaro in Florencia en el Amazonas and covers the title role in Don Giovanni.
Thomas Mallon’s ten books of fiction include Henry and Clara, Fellow Travelers, Watergate (a Finalist for the PEN/Faulkner Award) and the just-published Landfall. He has also written volumes of nonfiction about plagiarism (Stolen Words), diaries (A Book of One’s Own), letters (Yours Ever) and the Kennedy assassination (Mrs.
Thomas Strawser, a native of Selinsgrove, Pennsylvania, enjoys an extensive and diverse career as a performing artist. Thomas was a former resident artist for Brevard Music Center in North Carolina, College Light Opera Company in Massachusetts, and Fulton Theatre in Lancaster, PA.
Lauded for his “...consistent, attractive baritone” (Opera News) and “...ﬁrm, ﬂexible baritone” (The New York Times), Wisconsin-born baritone Tim Murray is a recent graduate of the Resident Artist Program with the Lyric Opera of Kansas City. During his time there, Mr.
With a diverse and adventurous repertoire of symphonic works and more than 60 operas, conductor TIMOTHY MYERS is proving himself as an intrepid young maestro with his finger on the pulse of today’s musical world. His commanding performances of the core repertoire are enhanced by his passion for fusing genres and styles, and his personal warmth and approachability forge connections with audienc
Vanessa Alonzo began her training with the late Alfonso Guerra at Multicultural Education and Counseling through the Arts (MECA). She has been a featured performer with mariachi ensembles throughout Houston since 1998. In 1999, she was named the Best of Show Vocalist in the Mariachi Vargas Extravaganza vocal competition.
Colombian-American soprano Vanessa Vasquez, winner of the 2017 Metropolitan Opera National Council Auditions, is currently a fourth-year Resident Artist at the prestigious Academy of Vocal Arts in Philadelphia, where she has been heard as Pamina in Die Zauberflöte and the title role in Lucia di Lammermoor.
Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, Austria. His father, Leopold Mozart, a noted composer, instructor, and the author of famous writings on violin playing, was then in the service of the archbishop of Salzburg. Leopold and Anna Maria, his wife, stressed the importance of music to their children.
Yongzhao Yu, who won the Audience Choice Award and the Ana María Martínez Encouragement Award in HGO’s 2015 Eleanor McCollum Competition Concert of Arias, is currently in his third season in the HGO Studio. In the 2016/2017 season he made his HGO stage debut as a Winged Angel in the world premiere of Jake Heggie and Gene Scheer’s It’s a Wonderful Life.
An outstanding graduate of the Academy of Vocal Arts in Philadelphia, Zach Borichevsky continues to impress all around the world, concluding an eventful season during which he made his critically acclaimed European operatic debut as Rodolfo in La bohème for Finnish National Opera under Michael Güttler, his role debut as Tamino in The Magic Flute with Boston Lyric Opera under D
Zachary James, bass, is an international opera singer and Broadway actor. He created the role of Lurch in The Addams Family on Broadway, Hassinger in the Tony Award winning Broadway revival of South Pacific at Lincoln Center, and sang Handel’s Messiah in the 2007 Broadway play, Coram Boy.
Zachary Nelson, a native of Annapolis, Maryland, has been praised for his rich and powerful baritone, as well as his ability to embody dramatic and comic characters on the operatic stage. The baritone’s 2018/19 season includes a return to Lyric Opera of Chicago as a soloist in their widely attended annual Millennium Park concert, followed by performances of Marcello in La bohème.
Born and raised in Illinois, American bass-baritone Zachary Owen has performed with such companies as the Glimmerglass Festival, Arizona Opera, Cincinnati Opera, Kentucky Opera, Des Moines Metro Opera, Central City Opera, Opera North, Opera Theatre of Saint Louis, and Opera Santa Barbara.
Pearl Zane Grey was born January 31, 1872, in Zanesville, Ohio. His birth name may have originated from newspaper descriptions of Queen Victoria's mourning clothes as "pearl gray". He was the fourth of five children born to Alice "Allie" Josephine Zane, whose English Quaker immigrant ancestor Robert Zane came to the North American colonies in 1673, and her husband, Lewis M. Gray, a dentist.